Guest Lecture and Workshop with French Cartoonist and Animation Director Aurel

On Thursday September 29, 2022, we held a stimulating guest lecture and workshop with French non-fiction graphic-novelist, editorial cartoonist and animation director Aurel whose movie Josep was honoured by the 2021 César Award for Best Animated Film.

My warm thanks to Aurel for his time and enlightening and captivating insights, and to La Fête, Beyond Animation Festival and Clémentine Arfi for making this meaningful cultural exchange possible!


We discussed animation/comics medium specificities, graphic non-fiction composition, science popularization through adult-aimed comics (with the in-depth analysis of a wonderful sequence from Aurel’s Singes, Futuropolis, 2021) with Thai and Myanmar students from my Visual Media Studies course developed for the Faculty of Communication Arts and hosted by BSAC (Bachelor of Science in Applied Chemistry), Chulalongkorn University.


Analysing comics motif braiding, page composition, text/image interplay, abstraction tricks, variety of techniques and standpoint inversion in a remarkable 12-page sequence from the comics Singes by Aurel.

The workshop consisted in applying the various graphic non-fiction composition techniques discussed during the guest lecture to the comics adaptation of an imposed paragraph excerpted from the chapter A Race of Cooks in Yuval Noah Harari‘s book Sapiens: A Brief History of Humankind (2011/2015). The 35 participating students -from Faculties and Departments of Literature, Architecture, Communication Design, Communication Arts, Psychology and Chemistry- had 30 minutes to compose individually a 2-page comics breakdown (drawn draft) of the paragraph. After completion, Aurel’s own graphic take on the Sapiens paragraph in his comics Singes and David Vandermeulen & Daniel Casenave’s comics adaptation in Sapiens: A Graphic History were introduced to the students to compare radically different approaches. Each student’s comics breakdown was later commented individually by yours truly.


Here are some results from the students’ workshop:

By Communication Design student Gun.
By Architecture/INDA student Plai.
By Communication Design student Pookla.
By Communication Design student Nut.

“YVES – My Life as a Refugee”, a Graphic Narrative by Chalit & June (April 2016)


A graphic narrative (on the topic of ‘War Trauma’ and/or ‘War Refugees’) by Thai students Chalit Ratapana (Faculty of Communication Arts; adaptation/script) and June (Pareploy Maneerut; Faculty of Political Science; art) – based on the true story of Yves -a Congolese refugee who survived ethnic cleansing- (Sanctuary Australia Foundation) – as an assignment for my Imaginative Communication course (2800217), April 2016.

Update: The Sanctuary Australia Foundation, which offered a safe haven to Yves, has decided to publish the 4-page comics alongside Yves’ original testimony. I guess the Foundation saw -as I did- how Chalit and June were able to capture and to express -skillfully, with power and sensitivity- the plight of an individual and how, at the same time, they grasped and shared the tragic fate experienced by too many. Crossing the borders of the Democratic Republic of Congo, Australia, Belgium and Thailand, crossing comics panel borders, so many boundaries were physically and symbolically overcome… I’m proud of you Chalit & June and I hope your graphic narrative will participate in “engaging audiences in conflicts and displacement crises that seem remote (…), especially when there appear to be no means of relating to the people in the stories” (to quote PositiveNegatives founder Benjamin Dix, see Comic as Art, Education and Advocacy). Thank you Chalit, June and Mark Hallam (from the Sanctuary Australia Foundation). And thank you, Yves, for your painful yet indispensable testimony. Best regards. Nicolas V.

Yves Sanctuary
Screenshot of the Sanctuary Australia Foundation webpage with Chalit & June’s graphic narrative alongside Yves’s original testimony.

Description of the Imaginative Communication course: “Methods of conversing emotions, feelings, ideas, values, beliefs and meaning of life through the languages of the imaginative world in the form of poetry, music and songs, literature, drama, film or other creative works of Thai and foreign artists; relationship between science and art of communications; media design for imaginative works; analysis of images and narratives.” This year’s theme: “Crossing Borders”. Communication Management, International Program, Faculty of Communication Arts, Chulalongkorn University.

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“Life Beyond Limitation”, a Graphic Narrative by Titirat (April 2016)


A graphic narrative (on the topic of ‘Crossing Borders’) by Thai student Titirat Sengsakdi – based on the true story of Caroline Casey – for her final individual project in IMGT COMM (2800217), April 2016.

Description of the Imaginative Communication course: “Methods of conversing emotions, feelings, ideas, values, beliefs and meaning of life through the languages of the imaginative world in the form of poetry, music and songs, literature, drama, film or other creative works of Thai and foreign artists; relationship between science and art of communications; media design for imaginative works; analysis of images and narratives.” This year’s theme: “Crossing Borders”. Communication Management, International Program, Faculty of Communication Arts, Chulalongkorn University.

Titirat A
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Titirat B
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Titirat C1
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Titirat C2
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Titirat C
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Titirat D
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Titirat E
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Titirat F
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Titirat G
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Below: some preliminary layouts and final pages with interesting composition/aesthetic choices.

Titirat I
Preliminary layout and final version of page 7/8

Titirat J
Preliminary layout and final version of page 8/8

Titirat H
Detail of page 6/8

Reproduced with the author’s permission. All rights remain to the author.

“Cthulhu Mythos: The Haunter of the Dark” by Alberto Breccia & Norberto Buscaglia, AR, 1975


Cthulhu Mythos: The Haunter of the Dark (“Los mitos de Cthulhu: El morador de la tinieblas”), script by Norberto Buscaglia (AG) and art by Alberto Breccia (AG), based on the short story The Haunter of the Dark by H.P. Lovecraft, in: Los mitos de Cthulhu,
Ediciones Periferia, Argentina, December 1975. With original art (page 6) below.

Copyright ©1975 Alberto Breccia Estate

(English scanlation & lettering by Vampire State Building)

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Breccia - The Haunter in the Dark 6
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“The Tell-Tale Heart” by Alberto Breccia, AR/IT, 1975


The Tell-Tale Heart (“El corazón delator”) by Alberto Breccia (Argentina), based on the famous Gothic short story The Tell-Tale Heart (1843) by Edgar Allan Poe, in: Il Mago, Italy, 1975. With original art (page 1) below.

Copyright ©1975 Alberto Breccia Estate

(English scanlation & lettering by Vampire State Building)

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PAGE 1/11 (original art)