Guest Talk with French Cartoonist Freddy Nadolny Poustochkine

February 03, 2020. An honour and a delight to welcome our first guest of the semester for the “Graphic Non-Fiction” (autobio/documentary comics) course at the Faculty of Communication Arts (Chulalongkorn University): French cartoonist Freddy Nadolny Poustochkine! We talked Time, Space, the Fabric/Material of Memory and Comics Art in his creative process from his autobiographical comics La chair des pommes (ego comme x) to his Cambodia-set La colline empoisonnée  (Futuropolis) and his ongoing project; and of the seminal importance of (his) sketchbooks. After an intro -by yours truly- on the interplay of Time & Space in comics by Richard McGuire, Lilli Carré, Alan Moore & Dave Gibbons & Rick Veitch, Frank Miller, Kevin Huizenga, Chris Ware, Art Spiegelman, Matt Madden, Nick Sousanis and Kiriko Nananan. Three challenging but captivating hours! Merci Freddy!

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French cartoonist Freddy Nadolny Poustochkine with the students of the International Program in Communication Management, Faculty of Communication Arts, Chulalongkorn University.
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Guest talk with French cartoonist Freddy Nadolny Poustochkine

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Not Final Art (but Art nonetheless) – 1

Tezuka - Astro Boy
Astro Boy” (1952-1968) by Osamu Tezuka. Japan. Original artwork.
Copyright © Tezuka Productions
Jakitou-25576
Jakitou” (1935) by Alain Saint-Ogan. France. Original artwork.
King Frank - Gasoline Alley
Gasoline Alley” (25th of August 1925) by Frank King. USA. Original artwork. LARGER SIZE OVER HERE.
Nilsen - Big Questions 2
Big Questions” (Drawn & Quarterly, 1999-2011) by Anders Nilsen. USA (for Canadian publisher). Original artwork.
Copyright © Anders Nilsen/Drawn & Quarterly
Otomo - Akira 1
Akira” (1982-1990) by Katsuhiro Otomo. Japan. Original artwork.
Jason - Hey wait...
Hey Wait…” (“Mjau Mjau” back cover, 1999) by Jason. Norway. Original artwork.
Copyright ©1999 Jason

 

Classic Franco-Belgian Comics (I)

Some Franco-Belgian classic comics acquired at La Crypte Tonique (Brussels) to illustrate -materially- the two courses dedicated to the History of Franco-Belgian “bandes dessinées” at Chulalongkorn University, Bangkok. PS: Merci Philippe Capart!

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Front cover of “Cadet-revue”, May 15, 1939, France. “Saint Francis of Assisi – Animals, my brothers”; one of my favourite illustrations by French cartoonist and illustrator Alain Saint-Ogan (goo.gl/dKom7j).
Alain 002
Back cover of “Cadet-revue”, May 15, 1939, France. One of my favourite pages by French cartoonist and illustrator Alain Saint-Ogan (goo.gl/dKom7j): “Monsieur Poche: un animal étrange.” First printed in “Dimanche illustré” #623, February 3, 1935, France.
Monsieur poche
Original artwork of the page “Monsieur Poche: un animal étrange” first published in “Dimanche illustré” #623, February 3, 1935, France. Analysis by Thierry Groensteen: goo.gl/kamg93. In the collection of the Museum of the Cité Internationale de la Bande Dessinée et de l’Image, Angoulême, France.

“Brother John” (in French) by Jerome Charyn & André Juillard, USA/FR, 1990


Brother John (in French), story by Jerome Charyn (USA) & art by André Juillard (FR), in: USA Magazine (L’Écho des savanes) spécial été #48/49, Albin Michel, FR, June 1990.

Brother 01
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Brother 02
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Brother 03
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Brother 04
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Brother 05
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Brother 06
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Brother 07
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Brother 08
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Brother 09
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Brother 00
The complete story

“Double Escape” by Moebius, FR, 1980


Double Escape (“Double évasion”) by Moebius (FR), in: Métal Hurlant magazine #50, France, April 1980.

Copyright ©1980 Les Humanoïdes Associés/Moebius Production

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Moebius’ Double Escape final panels displays interesting similarities – as a visual oxymoron (simultaneously falling and raising) – with the last page of Will Eisner‘s The Spirit: The Story of Gerhard Schnobble, USA, September 5, 1948. Copyright ©2005 Will Eisner Studios, Inc.

Spirit Shnobble 7.jpg
PAGE 7/7 (Eisner’s The Story of Gerhard Shnobble) 

“The White Nightmare” by Moebius, FR, 1974


The White Nightmare (“Cauchemar blanc”) – not a science-fiction tale but a ‘down-to-earth dream’ related to a racist incident – by Moebius (FR), in: L’Écho des Savanes magazine #8, France, 1974. Via Glad You Asked.

Adapted into a short film (in French language) by French director Mathieu Kassovitz in 1991.

Copyright ©1974 L’Écho des Savanes/Moebius Productions

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“In the Search for the Ninth Art” by Fabrice Neaud, FR, 2008


In the Search for the Ninth Art (“A la recherche du 9e Art”) by Fabrice Neaud (FR) in: Qu’est‐ce que la Bande Dessinée aujourd’hui (“What is Comics Art Today?”), Beaux Arts éditions, France, 2008.
Copyright ©2008 Fabrice Neaud/Beaux Arts/TTM éditions

001
PAGE 1/8
002
PAGE 2/8
003
PAGE 3/8. “Histoire de M. Jabot” by Rodolphe Töpffer (CH), 1830/1831.
004
PAGE 4/8. Up: “Histoire d’Albert” by Rodophe Töpffer (CH), 1845. Bottom “Impressions de voyages aériennes et maritimes de Mr. A.A.N. Trouillard épicier de la veille” by Cham (FR), unpublished and unfinished story, France, 1847-1848 but may be earlier than 1840.
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PAGE 5/8. “Puis”; then. “Quand soudain”; when all od sudden. Bottom left; “Der Virtuos” by Wilhelm Busch (DE), 1865.
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PAGE 6/8
007
PAGE 7/8. “Ainsi”; thus.
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PAGE 8/8: “Enfin”; finally.

BRAIDING: “The way panels (that is the images in the panels) can be linked in series (continuous or discontinuous) through non-narrative correspondences, be it iconic (repetition of certain symbols or elements) or other means. In a way this is a kind of rhyming for comics.” Derik Badman commenting the term introduced by Thierry Groensteen in: Système de la bande dessinée, Presses Universitaires de France, 1999.

GW01
On “braiding”, from the first Graphic Writing lesson, CommArts, Chula

“Arzach” (2 stories) by Moebius, FR, 1975-1976


Arzach / Harzak (two short stories) by Moebius (Jean Giraud, FR) in: Métal Hurlant magazine, France, 1975-1976. Via Pasa La Vida.

Copyright ©1975 Les Humanoïdes Associés

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“Looking for Nemo” by Benoît Peeters & François Schuiten, JP/BE/FR, 1991


Looking for Nemo, tribute to Winsor McCay (and Little Nemo), script by Benoît Peeters (FR) and art by François Schuiten (BE) in: Morning magazine, Japan, 1991. English edition followed by French publication, 1996 (for colour quality’s sake).

Copyright ©1991 Benoît Peeters/François Schuiten

“Architecture is the simplest means of articulating time and space, of modulating reality, of engendering dreams.” Ivan Chtcheglov, Formulary for a New Urbanism, 1953.

Nemo 1
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Nemo 2
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Hommage Nemo 1996
PAGE 1/2 (French version)
Hommage Nemo 1991
PAGE 2/2 (French version)