FROM DUSK TILL DRAWN: Comics Art Studies and Graphic Narratives Composition, Workshops, Events & Zine Publishing @ Faculty of Communication Arts, Chulalongkorn University [Bangkok – THAILAND]
I’m pleased to announce the online seminar “GRAPHIC NON-FICTION IN ASIA: THE ROAD AHEAD”, a roundtable with comics creators and editors from South and Southeast Asia to discuss their works and the challenges they face in their respective countries. Guest speakers: Bambi Eloriaga-Amago [Philippines], Charis Loke [Malaysia], Sreejita Biswas (Solo) [India], Tanis Werasakwong (Sa-ard) [Thailand] and Adoor Yeh [Taiwan], and moderated by yours truly. On Thursday November 25th, 2021, 4PM (GMT+7) [2:30PM Delhi; 4PM Bangkok; 5PM KUL, MLA & TPE]. Seminar duration: 2 hours. Organized by the National Research Council of Thailand and the Institute of Asian Studies, Chulalongkorn University. Inscription to the Zoom session via this link: https://forms.gle/5Gzw3eqpMwqQ2qkMA [Poster illustration from “taskun mudaan” by Adoor Yeh, 慢工出版 Slowork Publishing, 2021]
It was an honor and a pleasure to visit the prestigious National University of Singapore with khun Cue and 15 junior students in the International Program of Communication Management (Faculty of Communication Arts, Chulalongkorn University), and to give a short lecture on the development of Thai Comics during the first half of the 20th century. Our warm thanks to our host Associate Professor Dr. Ian Gordon, Head of the Department of History (NUS), and to Associate Professor Dr. Titima Suthiwan, Director of the Centre for Language Studies (NUS). We also want to thank Singaporean comics scholar Lim Cheng Tju for his presentation on “Consumption of Manga and Anime in Singapore”! Glad we were able to share perspectives on South-East Asian Comics, Manga and… Superman (as Dr. Ian Gordon is the author of Superman: The Persistence of an American Icon)!
Singaporean comics scholar Lim Cheng Tju holding his presentation on “Consumption of Manga and Anime in Singapore”.
Yours truly introducing CommArts “Graphic Writing” course to our hosts.
Slide from the presentation on Thai Comics (and localized American superheroes).
Discussion with Associate Professor Dr. Ian Gordon, Head of the Department of History (NUS).
This faculty field trip also gave me the opportunity to prepare our CommArts students for next semester’s Creative/Graphic Writing for Printed Matter course! Comics Shopping Day in Singapore!
Comics Shopping Day in Singapore; at GnB Comics, at Comics World, and at Kinokuniya.
Comics Shopping Day in Singapore; at GnB Comics, at Comics World, and at Kinokuniya.
Comics Shopping Day in Singapore; at GnB Comics, at Comics World, and at Kinokuniya.
Singaporean purchase: “Black Hammer tpb #1” (because Luc Brunschwig says it’s good), Thai Comics “The Sister’s Luck” by Shari Chankhamma, Anders Nilsen’s “Wolverine” (in “The Unbeatable Squirrel Girl – Zine Issue”), and “Superman: The Persistence of an American Icon” by Ian Gordon (thank you, Ian, for the gift).
A week before the field trip, great discussion at CommArts on Thai, Singaporean and ASEAN comics & cartoons with Lim Cheng Tju and CommArts alumnus Albert Potjes!
Cover of Lorina Mapa’s graphic memoir “Duran Duran, Imelda Marcos, and Me”.
Filipino Canadian cartoonistLorina Mapa, author of the graphic memoir Duran Duran, Imelda Marcos, and Me, was a guest at the Bangkok Edge Festival 2018, with the participation of the Embassy of Canada to Thailand. On Saturday 20, the artist gave an delightful and interesting public talk on her work, and held a comics workshop on Sunday 21. The Embassy of Canada to Thailand opened extra seats for my students (CommDe & CommArts, Chulalongkorn University) who wished to take part in the (fully booked) workshop (KhopKhunMakKhrap khun Noppawan!)
My warmest thanks to Lorina Mapa, the Bangkok Egde Festival, and the Embassy of Canada to Thailand!
Lorina Mapa’s public talk. Bangkok Edge Festival, January 20, 2018.
After Lorina Mapa’s talk on her graphic memoir, a Thai monk asked the artist a few questions. The first one was on how her drawn memories related to, and maybe enhanced, the vividness of her actual memories. An interesting question, as I sense more and more that the Buddhist notion of “sati” (“mindfulness”) and graphic memoirs might have a lot in common, being both “recollections in praesentia”… A question to further explore… Bangkok Edge Festival, January 20, 2018.
Mise en abyme. CommDe sophomore student Pin (foreground) reads Filipino Canadian cartoonist Lorina Mapa’s graphic memoir “Duran Duran, Imelda Marcos, and Me”. Meanwhile, Lorina Mapa (background) reads the comics zine Bang Bang You’re Deadgathering collaborative stories by CommArts Thai students and European cartoonists… Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; comics composition. Art by CommDe ajarn Oat Montien (foreground), and CommDe sophomore student Pin drawing (background). Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; comics composition. Art by CommDe sophomore student MedFai. Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; depicting emotions. From left to right; CommDe ajarn Oat Montien, Lorina Mapa (background), and CommDe sophomore students Pin and MedFai. Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; depicting emotions. Sketches by CommDe ajarn Oat Montien. Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; comics composition. CommDe sophomore students Pin (center) and MedFai (right). Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; depicting emotions. Bangkok Edge Festival, January 21, 2018.
During our 5-day field trip in Tokyo with coordinator P’Pum and 17 students of the Faculty of Communication Arts (International Program, Chulalongkorn University), we were welcomed by the prestigious Gakushuin University (Tokyo, Japan) to hold a lecture on the History of Thai Comics.
The lecture at Gakushuin University (Tokyo) was titled “When Manga, Franco-Belgian and American Comics Collide; Or the Genesis of Thai Alternative Comics.” It focused on presenting why I consider that the composite style of Thai pioneering alternative cartoonist Suttichart Sarapaiwanich on the series “Joe the Sea-Cret agent” is concurrently at the crossroads of American, Japanese and Franco-Belgian comics traditions and yet a remarkable artistic expression of ‘Thainess’ (and of the globalized and eclectic modern Thai way-of-life in the aftermath of the Tom Yum Goong crisis).
Following Professor Natsume Fusanosuke-sensei to a beautiful building of the prestigious Gakushuin University, Tokyo.
“Konban-wa. Gakushuin Daigaku no minasama, Fusanosuke Natsume-sensei, Shiina Yukari-san, soshite Kensuke Noda-san, konkai no event o kaisai site kudasari. Watashi, Pum-san to Thai no gakusei nittote, totemo kouei na koto desu. Arigato gozaimasu”. My heartfelt thanks again to Gakushuin University for the warm welcome, to Natsume-sensei for the invitation, to Yukari-san for translating my messy sentences, and to Yukari-san & Kensuke-san for the organization! It’s been a wonderful evening! And Arigato gozaimasu Watanabe Kanako-san for the text in Japanese! ありがとうございました! Photo by P’Pum.
Thai comics (Suttichart Sarapaiwanich & “JOE the SeaCret Agent”, 1998). Photo by Yanner Chen.
Presenting the work of highly influential Thai cartoonist Eakasit Thairaat. Photo by Note.
So tired… Can’t understand Natsume-sensei questions anymore… Sumimasen!!! Photo by Note.
Delicious buffet organized by Gakushuin University after the lecture for all our CommArts students and attending audience. And honor, again, to be invited, to meet and to discuss with Natsume-sensei! ありがとうございました! KANPAÏ! Photo by P’Pum.
ありがとうございました! KANPAÏ!
Deeply honored to meet and discuss with Ono Kosei-sensei, a leading authority in Manga, Comics and Film criticism! ありがとうございました
The round table “Female Voices in Comics Art: Sharing Perspectives from Thailand, Spain, Japan and the U.S.A.” was held on Friday, March 10, at the BACC (Bangkok Art and Culture Center) during the HeForShe Arts Week Bangkok (UN Women for Asia and the Pacific) in collaboration with the Embassy of Spain in Bangkok (Ministerio de Asuntos Exteriores y de Cooperación de España). It was a rich, meaningful and cheerful talk with an amazing panel composed of Thai artist Tunlaya Dunn, Thai-American artist Kathy MacLeod, Spanish artist Carla Berrocal (also curator of the PRESENTES exhibition, and my Thai colleague & Manga scholar Aj. Mashima Tojirakarn (PhD. candidate, University of Kyoto). I’ve been honoured to act as the moderator of this round table (thank you again Kathy for suggesting my name). The discussion focused on comics and women, and most interestingly, on gender equality in the industry, as well as on the rise of female voices in Thai Comics, and on the rich history of Spanish comics by female cartoonists (PRESENTES exhibition). I would like to extend my warmest thanks to HeForShe Arts Week Bangkok’s curators Alejandro Hita & David Fernández for the organization of this whole week, and specific event, as well as Embassy of Spain in Bangkok’s representatives Maria Salcedo Ortiz (Deputy Head of Mission) & Joan Vicens Mestre for their invaluable participation to the event, and partners Chulalongkorn University & BACC. Thank you Carla, Kathy, Tunlaya & Mashima for the great talk! ขอบคุณมากนะครับ Pathumporn Tik Thongking for the wonderful pics!
Aj. Nicolas Verstappen
The “Here Comes Trouble” Dream Team! From right to left: my Thai colleague & Manga scholar Aj. Mashima Tojirakarn (PhD. candidate, University of Kyoto), Thai designer and cartoonist Tunlaya Dunn,Thai-American illustrator and cartoonist Kathy MacLeod, Spanish cartoonist and illustrator Carla Berrocal, HeForShe Arts Week BKK’s co-curator Alejandro Hita (UN Women), Deputy Head of Mission at the Embassy of Spain in Bangkok Maria Salcedo Ortis, and yours truly. Photo credits: UN Women/Pathumporn Tik Thongking
Presenting the guests of the “Female Voices in Comics Art” round table; Carla Berrocal, Kathy MacLeod, Tunlaya Dunn & Mashima Tojirakarn. Photo credits: UN Women/Pathumporn Tik Thongking
Illustrator and cartoonist Kathy MacLeod discussing with the other guests of the “Female Voices in Comics Art” round table; Carla Berrocal, Tunlaya Dunn & Mashima Tojirakarn. Photo credits: UN Women/Pathumporn Tik Thongking
Women voices in the comics industry around the world. Thai female cartoonists Tongkarn, Vic-Mon & Chingching Krittiemmek confronting “Seng” Songwit Seakitikul (in his graphic novel “Almost All of Us”, Fullstop Books, and ขอบคุณมากนะครับ Birdme for the translation) in Thailand; the “Collectif des créatrices de bande dessinée contre le sexisme” (Female Comics Creators Against Sexism) in France and abroad; and “Autoras de Cómic” in Spain. Photo credits: UN Women/Pathumporn Tik Thongking
My Thai colleague & Manga scholar Aj. Mashima Tojirakarn (University of Kyoto) discussing with the other guests of the “Female Voices in Comics Art” round table; Carla Berrocal, Tunlaya Dunn & Kathy MacLeod. Photo credits: UN Women/Pathumporn Tik Thongking
Rich, meaningful and cheerful talk withthe guests of the “Female Voices in Comics Art” round table; Carla Berrocal (talking), Kathy MacLeod, Tunlaya Dunn & Mashima Tojirakarn. Photo credits: UN Women/Pathumporn Tik Thongking
As a conclusion of the “Female Voices in Comics Art” round table, the presentation of a remarkable short comics (related to the topic of “violence against women”) composed for my course by Ms. Arty Nicharee (Entryh), a promising first-year student of the International Program in Communication Design (Department of Industrial Design, Faculty of Architecture, Chulalongkorn University). Photo credits: UN Women/Pathumporn Tik Thongking
As a conclusion of the “Female Voices in Comics Art” round table, the presentation of a remarkable short comics (related to the topic of “violence against women”) composed for my course by Ms. Arty Nicharee (Entryh), a promising first-year student of the International Program in Communication Design (Department of Industrial Design, Faculty of Architecture, Chulalongkorn University). Photo credits: UN Women/Pathumporn Tik Thongking
For the first semester of 2017, the “Managing Creativity for Communicative Innovation” course (Communication Management, International Program, Faculty of Communication Arts, Chulalongkorn University, Bangkok, Thailand) had three main goals:
1) select, summarize and partly translate 9 Thai alternative comics, and contact a foreign publisher to get them signed abroad. This endeavor was highly successful as it resulted in the publication of 4 titles by Art Jeeno in French language from Éditions çà et là: see here.
2) Publish, promote and distribute our own zine gathering the constrained comics composed by former “Graphic Writing” CommArts students.
3) Organize an exhibition of the “Traumics” (Comics on Trauma) composed by CommArts & CommDe (Program in Communication Design, Department of Industrial Design, Faculty of Architecture, Chulalongkorn University) students.
Second special guest: Belgian cartoonist & illustrator Ephameron for an afternoon of Comics Art Appreciation (with comments and tips). Students from the International Program in Communication Design (CommDe, Department of Industrial Design, Faculty of Architecture, Chulalongkorn University) presented their Traumics (or “Comics on Trauma”) in front of Ephameron and my CommArts students in order to select the trauma-related graphic narratives to be displayed in the exhibition. Bedankt Eva! ขอบคุณมากๆครับ CommDe for inviting Eva in the first place! This project was partly inspired by the literary educational comics produced by the award-winning non-profit (and our partner) PositiveNegatives.
Ephameron giving comments and advices to a team of CommDe students presenting their Traumics (or “Comics on Trauma”).
CommDe student presenting her Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
CommDe student presenting his Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
A team of CommDe students presenting their Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
CommDe student presenting her Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
A team of CommDe student presenting their Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
CommDe student presenting her Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
A team of CommDe student presenting their Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
A team of CommDe student presenting their Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
A team of CommDe student presenting their Traumics (or “Comics on Trauma”) to Ephameron and CommArts students.
Third special guest (or rather host): Spanish cartoonist, curator & illustrator Carla Berrocaloffered us a private tour of the PRESENTES comics exhibition (Spanish Female Cartoonists of Yesterday and of Today). Discussion on the challenges (selecting pages, copyright issues, pairing different artists by themes or motifs…) offered by a Comics Art exhibition. Gracias Carla, Autoras de Cómic, and Maria & Joan from the Embassy of Spain in Bangkok. Thank you HeForShe Arts Week Bangkok, UN Women Asia and Pacific, and BACC (Bangkok Art Cultural Center)!
Third special guest (or rather host): Spanish cartoonist, curator & illustrator Carla Berrocal offered us a private tour of the PRESENTES comics exhibition (Spanish Female Cartoonists of Yesterday and of Today). Here presenting the work of internationally renown Spanish cartoonist Ana Miralles Lopez. Gracias Carla, Autoras de Cómic, and Maria & Joan from the Embassy of Spain in Bangkok. Thank you HeForShe Arts Week Bangkok, UN Women Asia and the Pacific, and BACC (Bangkok Art and Culture Center)!
At the PRESENTES comics exhibition (Spanish Female Cartoonists of Yesterday and of Today). Detail of a page by Spanish female cartoonist Maria Pascual (1933-2011).
At the PRESENTES comics exhibition (Spanish Female Cartoonists of Yesterday and of Today). Detail of a page by Spanish female cartoonist Mireia Pérez (1984-).
PRESENTES exhibition catalogue (Spanish Female Cartoonists of Yesterday and of Today). Spanish female cartoonist Núria Pompeia (1931-2016).
Writing the editorial content of our “Bang Bang You’re Dead” constrained comics zine, inspired by the OuBaPian experimental comics by Lewis Trondheim & Jean-Christophe Menu. Trying to explain, as clearly and shortly as possible, the multimodal challenges faced by CommArts students while composing their graphic narratives (using “iconic iteration” with limited sets of panels drawn by European cartoonists Pierre Alary, Sacha Goerg & Joseph Falzon specially for our “Graphic Writing” course).
Writing the editorial content of our “Bang Bang You’re Dead” constrained comics zine, inspired by the OuBaPian experimental comics by Lewis Trondheim & Jean-Christophe Menu. Trying to explain, as clearly and shortly as possible, the multimodal challenges faced by CommArts students while composing their graphic narratives (using “iconic iteration” with limited sets of panels drawn by European cartoonists Pierre Alary, Sacha Goerg & Joseph Falzon specially for our “Graphic Writing” course).
After hours to complete the editorial content of our “Bang Bang You’re Dead” constrained comics zine…
Partly translating one of the 9 Thai alternative comics selected to be presented to a foreign publisher in order to get them signed abroad.
Masterclass on “Animated Film Festivals and Markets” with Geraldine Baché, head of Animation du Monde (MIFA-Annecy) at the RENDEZ-VOUS FRANCO-THAÏ DE L’ANIMATION (Embassy of France in Thailand, in collaboration with the World Film Festival of Bangkok, Mahidol University International College, SF Cinema and TK Park). Photograph by ‘Rendez-Vous Franco-Thaï de l’Animation.’
Thai films selected at the Annecy International Animated Film Festival. During the masterclass on “Animated Film Festivals and Markets” with Geraldine Baché, head of Animation du Monde (MIFA-Annecy) at the RENDEZ-VOUS FRANCO-THAÏ DE L’ANIMATION (Embassy of France in Thailand, in collaboration with the World Film Festival of Bangkok, Mahidol University International College, SF Cinema and TK Park).
Our fourth special guest; Ms. Pimpicha Utsahajit, Executive Director of Banlue Publications & CommArts alumnus, hold a talk on leading multi-platform content provider Banlue Group, with Banlue Sarn (humour comics magazines “Kai Hua Roh” and “Maha Sanook”), Vithita Animation, Salmon Books (publisher of alternative comics among others), digital platform MiniMore, Salmon House (production house of motion contents), Banlue Books, trendy free magazine Giraffe, or The MATTER and Pixniq among many other innovative content platforms! ขอบคุณมากๆครับ Ms. Pimpicha for the inspiring lecture and case studies (character development & licensing), and sharing with us your experience and expertise in so many fields!
With our fourth special guest; Ms. Pimpicha Utsahajit, Executive Director of Banlue Publications & CommArts alumnus.
With our fourth special guest; Ms. Pimpicha Utsahajit, Executive Director of Banlue Publications & CommArts alumnus.
With our fourth special guest; Ms. Pimpicha Utsahajit, Executive Director of Banlue Publications & CommArts alumnus.
Making Small Press the CommArts way; a Taylorist approach. For reasons beyond their will, my 20 students had only 3 hours -including their zine-making formation- to produce the 300 copies of the inaugural issue of our Constrained & Collaborative Comics Zine Series “Bang Bang You’re Dead!“. Challenge almost met with 281 issues produced, whilst avoiding too many flawed copies and finger losses…
Making Small Press the CommArts way; a Taylorist approach.
Making Small Press the CommArts way; a Taylorist approach.
Making Small Press the CommArts way; a Taylorist approach.
Making Small Press the CommArts way; a Taylorist approach.
The inaugural issue of the comics zine series “Bang Bang You’re Dead!” edited & published by the students of the “Managing Creativity for Communicative Innovation” course, and collecting the experimental, thrilling & collaborative works of 8 CommArts students with European cartoonists Pierre Alary, Sacha Goerg & Joseph Falzon, under a cover by Thai cartoonist Note Piruck and with a free ‘Phi Krasue’ postcard by French cartoonist Tamia Baudouin (only for the first printing)! Limited to 300 copies, the zine will be distributed worldwide thanks to our French partner L’Association ChiFouMi! Our thanks are also due to khun Satya @Rabbit4Print, and Thai cartoonist Tunlaya Dunn for the logo design & inspiration! A word from the editorial team: “As evoked in its title, the ‘Bang Bang You’re Dead!’ zine invokes the playful yet serious aspects of constrained comics composition. Based on sets of speechless comics panels drawn especially for their Graphic Writing course by European cartoonists, 34 Thai senior students of the four-year program in Strategic Communication Management at the Faculty of Communication Arts, Chulalongkorn University (Bangkok, Thailand), duplicated, reframed, and combined the imposed drawings -with addition of textual elements- to create imaginative stories of their own. Without any particular drawing formation and facing the numerous and overlapping challenges posed by comics composition, our Faculty seniors were able to overcome the constraint of iconic iteration by thinking out of the box, using their creativity to cross formal, modal, cultural, and national borders.”
Field trip with the editorial & production team of the inaugural issue the EuroThai Comics Zine “Bang Bang You’re Dead!” at the Bangkok International Book Fair (Queen Sirikit National Convention Center). The zine was on sale at the booth of the Thai indie comics publishing house Kai3. ขอบคุณครับ khun Peataya. Followed by a visit of the booths of publishers who collaborated on our projects (Salmon Books, Typhoon Studio & LET’S Comic). ขอบคุณครับ!
The “Bang Bang You’re Dead!” zine was on sale at the booth of the Thai indie comics publishing house KAI3.
The “Bang Bang You’re Dead!” zine was on sale at the booth of the Thai indie comics publishing house KAI3.
The “Bang Bang You’re Dead!” zine was on sale at the booth of the Thai indie comics publishing house KAI3.
Copies of the inaugural issue of our EuroThai Experimental Comics Zine Series “Bang Bang You’re Dead!” have safely arrived in Belgium. The zines are now available at the comics bookstore Multi BD in Brussels.
The inaugural issue of our EuroThai Experimental Comics Zine Series “Bang Bang You’re Dead!” is now available at the comics bookstore Multi BD in Brussels, Belgium.
Second objective of the “Managing Creativity for Communicative Innovation” course: to promote contemporary Thai Comix abroad. 8 teams of students. 8 Thai comics profiles (with summary, chapters translated into English, author bio, and pros & cons of each book to fit the French market and a specific publisher’s catalogue). 8 Thailand/France Skype sessions with Serge Ewenczyk, founder of the French independent comics publishing house Çà et Là. Proud of my students who did a tremendous and critical work there! Merci Serge pour ta disponibilité et ta marque d’intérêt! ขอบคุณมากครับ to the Thai editors for the complementary copies! Now, let’s all cross our fingers and see what the Future holds for Thai Comics! (On the picture: Serge Ewenczyk & the “Loser Rainbow (by Puck)” Team).
Serge Ewenczyk & the “EverybodyEverything (by Wisut Ponnimit)” Team.
Serge Ewenczyk & the “Missed (by Tuna Dunn)” Team.
Serge Ewenczyk & the “Diner by Incense Light (by Jung)” Team.
Serge Ewenczyk & the “Romance (by Wisut Ponnimit)” Team.
Serge Ewenczyk & the “NangMai (by Teerawat Thienprasit)” Team.
The exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displayed 18 short Trauma-related comics narratives all composed by students in the Faculty of Communication Arts, the Communication Design Program (Faculty of Architecture) and other Departments at Chulalongkorn University (Bangkok, Thailand). From refugee stories to household accidents, from domestic violence to genocides (Congo, Shoah, Khmer Rouges), being fictional, autobiographic or based on victim testimonies, these narratives intend to raise awareness on social and human rights issues. Inspired by the literary educational comics produced by the award-winning non-profit -and our partner- PositiveNegatives, this project also highlights the ability of Comics Art -as a medium of fragments- to visually reveal how the minds of the victims were broken into pieces. As mentioned in the introduction to the Call for Papers for the conference Traumics: Comics Narratives of Trauma, comics -“with their syntax of panels, gutters, and pages and their use of the evocative power of image in conjunction with the precise communication of text- (…) are uniquely suited to delivering narratives of trauma.” The opening night was held on the 5th of May 2017 from 5pm until 7pm at the first floor of the Faculty of Communication Arts (Chulalongkorn University), in the presence of our guest of honour Songsin Tiewsomboon, author of famous graphic novels such as “Nine Lives” and the series “Beansprout and Firehead” & “Bobby Swingers.” The exhibition “Traumics: a Medium of Fragments for a Shattered Mind” was organized and curated by the students of the “Managing Creativity for Communicative Innovation” course, Communication Management, International Program, Faculty of Communication Arts, Chulalongkorn University (Bangkok, Thailand).
Last project for the students of the “Managing Creativity for Communicative Innovation” course; to mount the exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displaying 18 Trauma-related comics narratives composed by students at Chulalongkorn University.
Mounting the exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displaying 18 Trauma-related comics narratives composed by students at Chulalongkorn University.
Mounting the exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displaying 18 Trauma-related comics narratives composed by students at Chulalongkorn University.
Mounting the exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displaying 18 Trauma-related comics narratives composed by students at Chulalongkorn University.
Mounting the exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displaying 18 Trauma-related comics narratives composed by students at Chulalongkorn University.
Mounting the exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displaying 18 Trauma-related comics narratives composed by students at Chulalongkorn University.
“Framing – Unframing – Reframing”, or mounting the exhibition “Traumics: a Medium of Fragments for a Shattered Mind” displaying 18 Trauma-related comics narratives composed by students at Chulalongkorn University.
Opening of the “Traumics: a Medium of Fragments for a Shattered Mind” in the presence of our guest of honour Songsin Tiewsomboon, author of famous graphic novels such as “Nine Lives” and the series “Beansprout and Firehead” & “Bobby Swingers”, of graphic designer Ms. View, and of Thai alternative comics pioneer Suttichart Sarapaiwanich (“Joe the Sea-Cret Agent”).
Ms. Tee Tanyanurak, aka Sasi Tee, visiting the “Traumics: a Medium of Fragments for a Shattered Mind” exhibition .
Visit of Thai graphic designers khun Phatchara Pantanakul & khun Kullawat Kanjanasoontree (also author of the great Gekiga-style short comics “คดีทิ้งไฟ”, or “The Arson Case” in the “LET’S Comic Forbidden” issue).
Visitors.
Visit by Thai alternative comics pioneer Suttichart Sarapaiwanich (“Joe the Sea-Cret Agent”).
Visitor.
Visitor.
Opening in the presence of graphic novelist extraordinaire Songsin Tiewsomboon (“Nine Lives” and the series “Beansprout and Firehead” & “Bobby Swingers”, and our guest of honour), graphic designer Ms. View, and Thai alternative comics pioneer Suttichart Sarapaiwanich (“Joe the Sea-Cret Agent”) and CommArts students.
With polyptych, iconic iteration, bleed, braiding, narrative use of colours, parallel timelines, palindrome-like/mirror device, loop format, and other experimental features, or being straightforward visual narratives, the 18 Trauma-related short comics composed by students at Chulalongkorn University make full use of the hybrid art form to depict the victims’ shattered and alienated minds (and bodies), in order to raise awareness on social and human rights issues (from refugee stories to household accidents, from social conformity to domestic violence or genocides; being fictional, autobiographic or based on victim testimonies). I couldn’t be prouder by the meaningful work produced by Chulalongkorn University students from various Faculties; most of them being 1st year Thai students (and with a team of European exchange students), some of them without any prior artistic formation, and creating there their first ever comics. I only wish we could have displayed more of the dozens of Traumics created over the past two years. So many were equally deserving to be shown, and they will at some point, when I find the time, over here. To all, your works being displayed or not, artists or exhibition curators from the Mngt Comm Crea Inno course, for your talent and hard work, ขอบคุณมากนะครับ! Aj. Nicolas Verstappen
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Traumics (Trauma-related comics) composed by students at Chulalongkorn University.
Well-deserved rest after 4 intensive months of work! ;^)
V for Vendetta co-creator and artist David Lloyd, special guest of our Faculty (Faculty of Communication Arts), Chulalongkorn University, for a public talk, a retrospective exhibition, a masterclass, a workshop and portfolio reviews. The workshop and portfolio reviews have their own dedicated post over here. Press interviews (tv, radio, magazine, newspaper) conducted with David Lloyd during his visit in Thailand are gathered at the end of this article.
During the public talk held at the Faculty of Communication Arts on March 23, 2016, David Lloyd discussed the creation of the essential graphic novel V for Vendetta, its movie adaptation, the designing and popularity of the iconic Guy Fawkes/V/Anonymous mask, the historical launch of the “British Invasion”, the developing field of webcomics, and the composition of profound, engaged and sophisticated narratives in Comics Art.
Public Talk: David Lloyd and the Painted Smile
Public Talk: Inaugural speech by Assistant Professor Dr. Duang-Kamol Chartprasert, Dean of the Faculty of Communication Arts, Chulalongkorn University
Public Talk: Yours truly with Mr. David Lloyd
Public Talk: Yours truly with Mr. David Lloyd
Public Talk: Mr. David Lloyd and Assistant Professor Dr. Duang-Kamol Chartprasert, Dean of the Faculty of Communication Arts, Chulalongkorn University
In the early 80s, English artist David Lloyd created and designed the character of V and his now famous Guy Fawkes mask (known lately as the “Anonymous mask”). Inviting the promising writer Alan Moore to join his comics project, David Lloyd required from his collaborator to avoid any thought balloons or voice over emanating from the masked freedom fighter. The constraint, remarkable and innovative at the time in the field, strengthened the ambiguity and complexity of the inner motivations and turmoil of V as he spreads terror amongst the leaders of a corrupted and fascist government in a dystopian England evoking George Orwell’s 1984. First conceived with a stark and impressing black-and-white chiaroscuro and serialized between 1982 and 1985 in the English magazine Warrior, the sophisticated narrative drew the attention of major publishers on the other side of the Atlantic.
David Lloyd’s masterclass with the students of the Creative/Graphic Writing course, CommArts, Chula (March 28, 2016)
David Lloyd’s masterclass with the students of the Creative/Graphic Writing course, CommArts, Chula (March 28, 2016)
David Lloyd’s masterclass with the students of the Creative/Graphic Writing course, CommArts, Chula (March 28, 2016)
V for Vendetta, and David Lloyd as an artist and a liaison representative, participated to the groundbreaking “British Invasion” of American comics which led to the creation of the high-quality Vertigo imprint by DC Comics and to the publication of major graphic novels such as Alan Moore and Dave Gibbons’ Watchmen. Working with Grant Morrison on John Constantine:Hellblazer, with Garth Ennis on War Stories or with Jamie Delano on the outstanding tales Nightraven and The Horrorist, David Lloyd never ceased to explore the complexity of the human psyche without ever compromising his own artistic and political integrity. Regarded by the critics as an essential graphic novel, V for Vendetta experienced a new wave of popularity through its 2006 movie adaptation produced by the Wachowski brothers (now sisters) and starring Natalie Portman and Hugo Weaving. The Guy Fawkes mask became an anti-establishment and anti-authoritarian symbol in protests around the world, from the Occupy Wall Street movement to the Arab Spring revolutionary wave. Through its appropriation and extended use by the ‘hacktivist’ group Anonymous, it is now one of the most important revolutionary icons in recent decades with more than 100,000 official copies of the masks being sold annually. Using the gained popularity of his creation to promote the works of other (and often debuting) cartoonists, David Lloyd launched in 2012 the online comics anthology Aces Weekly, one of the first attempts of the kind in the developing field of webcomics.
On March 28, 2016, David hold a masterclass with the students of the Creative Writing (28003216 – Graphic Writing) course. He discussed comics art and visual storytelling and provided individual comments on the graphic narratives produced by the students.
Press: Interview with David Lloyd for Thai channel Voice TV.
Press: Interview with David Lloyd for Thai channel Voice TV by khun Flag.
Press: Radio interview with David Lloyd by Colin Cheney & Donald Quist for “Poet in Bangkok”.
David Lloyd interview conducted by Pim-On for “a day bulletin”.
Press: Signing for RadioMANGA.
Press: Radio interview with David Lloyd for RadioMANGA by Thai cartoonists Suttichart Sarapaiwanich, Eakasit Thairaat and Songsin Tiewsomboon.
Press interviews (tv, radio, magazine, newspaper) done with David Lloyd during his visit in Thailand.
TELEVISION:
The first of the two-part interview with David Lloyd for Thai channel Voice TV is available (in Thai) over here. The second of the two-part TV interview (in Thai) with David Lloyd focuses on the comics artform, on the banning of sound effects in V for Vendetta and on digital comics (David Lloyd being the publisher of the Aces Weekly digital comics anthology). Report shot in front of the retrospective exhibition dedicated to David’s career, right after his public talk at the Faculty of Communication Arts, Chulalongkorn University.
MAGAZINE:
Interview with David Lloyd conducted by khun Pim-On for the magazine a day bulletin #407 (at the Faculty of Communication Arts, Chulalongkorn University). Available (in Thai) over here.
NEWSPAPER:
Interview with David Lloyd and four-page “cover story” by Richard S. Ehrlich for the Bangkok Post weekly cultural supplement Brunch (April 3-9, 2016). Available (in English) on this page.
RADIO:
Podcast of the interview (in English w/ Thai translation) with David Lloyd by three famous Thai cartoonists (Suttichart Sarapaiwanich, Eakasit Thairaat and Songsin Tiewsomboon) for RadioMANGA. Available over here!
Podcast of the interview (in English) with David Lloyd by Colin Cheney & Donald Quist for Poet in Bangkok. “In this eighth episode (Episode #8: A Very Small Irony), Colin and Donald speak with acclaimed comics artist David Lloyd, co-creator and illustrator of V for Vendetta. David discusses his working class upbringing and how American culture fed his development as an artist. He gives insight into some of his earlier collaborations with Alan Moore and other writers. David also shares his impressions of Bangkok and provides his perspective on the use of his V for Vendetta Guy Fawkes mask by Thai protesters”. Available over there!
In the Press: For “a day poet”. Interview by khun Pim-on & picture by khun W. Yeedoung.
In the Press: “cover story” by Richard S. Ehrlich fo the “Bangkok Post” weekly cultural supplement “Brunch” (April 3-9, 2016)
In the Press: David Lloyd, “V for Vendetta” & RadioMANGA!
I would like to extend my sincere thanks to David Lloyd for honoring our Faculty with his visit, to Assistant Professor Dr. Duang-Kamol Chartprasert, Dean of the Faculty of Communication Arts, Chulalongkorn University, Dr. Jirayudh Sinthuphan, Communication Management Program chairperson, and all the CommArts staff for their support. I would like to express my thanks to Bird, Look-in, Lookme, Looksorn, Narada, Big, Vi, Bomb, Nic Dunlop and Colin Cheney for their valuable assistance. Aj. Nicolas Verstappen
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