#MeanwhileHereComics #การ์ตูนที่นี่ Challenge

As an individual assignment for the “Creative Writing Section 11 [Experimental & Fiction Comics Composition]” (International Program, Faculty of Communications Arts, Chulalongkorn University, Thailand), students were asked to explore the concept of “windows on time in a single place” developed by American cartoonist Richard McGuire with his two stories titled “Here” (1989 in the pages of RAW, and 2014 as an extended graphic novel). The complete groundbreaking graphic narrative can be read on this post: “Here” by Richard McGuire. Some of our students’ comics are displayed below in this post. More will be added soon.

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First page (out of six) of the short comics Here by Richard McGuire, published in RAW Volume 2 #1, USA, 1989. Full story… here.

The graphic narratives produced by my Thai [and exchange] students were inventive and striking, as some explored not only the COVID-19 crisis but addressed social and political issues in a straightforward way, revealing Thailand’s traumatic decades made of military coups and bloody crackdowns. I guess the assignment came timely, capturing the frustrations of a new generation of young adults, revealing visually the overburduning and endless cycle of coups and sociopolitical struggles. With my students and with Richard McGuire’s approval, we decided to set the assignment as a challenge and invite everyone to take part, as we believe that in these times of self-isolation, it might be interesting to widen the limited and constrained space we now inhabit by exploring it through time.

“Like how does something happen, and… how does it reverberate through time? And that act of memory is important, and comics are great for memory. Like even when you have a short comic, like a three-panel comic, you’ve got a past, a present and a future as soon as you look at those three boxes. And that allows you to reflect and compare times.” (Art Spiegelman, in: Conan, N. (2011). MetaMaus: The Story Behind Spiegelman’s Classic; radio interview, Oct 5)


OPEN-ACCESS LAYOUT

So here’s the layout that you are free to use [click on the image for larger version], and please add the hashtags #MeanwhileHereComics and/or #การ์ตูนที่นี่ (‘KatunTiNee’ which means “Here Comics” in Thai language) so that we can follow your artworks online.Thank you in advance for joining!Meanwhile Here Template


“Time, as cut into minute sausage slices and laid out on the [comics] page in an array from which larger connections and patterns may be sensed, is the cartoonist’s ‘paint’ or ‘clay.’ […] Trying to communicate the hugely incomprehensible yet indescriptibly fine texture of life in little reconstructions sort of mirrors the way we remember it… Really, when one come right down to it, in the end, that’s all we have: our memories!” (Chris Ware, in: Why I Love Comics. The New York Times , 2015)


OUR STUDENTS’ COMICS

#MeanwhileHereComics pages by students of the “Creative Writing Section 11 [Experimental and Fiction Comics Composition]” course. More will be added soon. In the captions below some pages, I’ve introduced links to some local/Thai events referred to in the graphic narratives. PS: I’m proud of my students’ hard and meaningful works. #ProudAjarn

Meanwhile Here by Jib
Click on page for larger size. Panel 1 [1932]: Siamese Revolution leading from an absolute monarchy to a constitutional one. Panel 2 [1976]: Student protests and Thamassat University Massacre. Panel 3 [2006]: 2006 Coup d’Etat. Panel 4 [2014]: 2014 Coup d’Etat (and Red/Yellow Shirts conflict). Panel 5 [2030 & 3,000 Years Ago]: reference to 2020 news on the Government giving up part of prehistoric cave painting site for mining. Panel 5 [2020]: ongoing University Students Protests for a fairer democratic system.
Meanwhile Here by Mind
Click on page for larger size. Panel 3 [2019]: waves of harmful [Particulate Matter] PM 2.5 levels in the air.
Meanwhile Here by Palmmy
Click on page for larger size. Panel 1 [1934]: tree growing two after the Siamese Revolution leading from an absolute monarchy to a constitutional one. Panel 2 [1976]: reference to the [graphic] photograph of Pulitzer Prize winner Neal Ulevich showing a junta supporter striking the lynched body of a student with a foldable chair in front of a cheering crowd, during the Thamassat University Massacre. Panels 3 and 5 [1976]: reference to the same photograph (lynched student). Panel 5 [2020]: ongoing University Students Protests for a fairer democratic system, with students making the “three-finger [Hunger Games] salute” in a sign of defiance against military rule. Panel 6 [2020]: COVID-19…
Meanwhile Here by Pim
Click on page for larger size. Panel 1 [2012]: reference to the Democracy Monument which commemorates the 1932 Siamese Revolution. Panel 4 [2020]: COVID-19…
Meanwhile Here by Proud
Click on page for larger size. Panel 4 [2020]: COVID-19…


COMPOSITION PROCESS

As these “constrained comics” & concept are quite challenging, composition was achieved over a couple of weeks, and with the submission of several drafts commented by yours truly… via the Line app due to current COVID-19 crisis. If you want to spot the differences, and see how every minute detail [from color to fonts or encapsulation] matters in comics composition where “each element is thus: one with everything” (Nick Sousanis in: Unflattening, comics dissertation published by Harvard University Press, 2015).

MIND HERE PROCESS
Click on picture for larger size.

Polyptych Workshop in Taiwan (Sept 2019)

It was a challenging but wonderful 4-hour workshop on “Polyptych Constrained Comics” in Taipei with amazing Taiwanese and Malaysian cartoonists on Sunday, 22 September 2019. They did great on one of the most complex comics structure [where narrative sequences unfold on a continuous background]. It was such a pleasure to work and share with these talented folks! Thank you all for participating, Huang Pei-Shan and Slowork Publishing for the invitation, Carole Wenyao for translating, and ASW Tea House for hosting!

Workshop 05

Workshop 01

“No Escape” by Patrick McEown, CAN, 1999

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“No Escape” by Patrick McEown. Click on pic for full size. ©1999 Fantagraphics/McEown


No Escape by Patrick McEown (CAN), in: Dave Cooper’s Weasel #1, Fantagraphics Books, US, August 1999.

©1999 Fantagraphics/McEown

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Excerpt of a 10-page non-linear/loop/polyptych comics. Pages 4, 5 and 6 of Patrick McEown’s No Escape. Arrows not in the original. ©1999 Fantagraphics/McEown

To read the story in diaporama:

 

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To read the story in a full-size continuous polyptych, click on the picture below:

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“No Escape” by Patrick McEown. ©1999 Fantagraphics/McEown

By two pages:

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Pages 1 & 2 (out of 10) of Patrick McEown’s No Escape. ©1999 Fantagraphics/McEown
No Escape McEown double 03 04
Pages 3 & 4 (out of 10) of Patrick McEown’s No Escape. ©1999 Fantagraphics/McEown
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Pages 5 & 6 (out of 10) of Patrick McEown’s No Escape. ©1999 Fantagraphics/McEown
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Pages 7 & 8 (out of 10) of Patrick McEown’s No Escape. ©1999 Fantagraphics/McEown
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Pages 9 & 10 (out of 10) of Patrick McEown’s No Escape. ©1999 Fantagraphics/McEown

“Greyshirt: How Things Work Out” by Alan Moore & Rick Veitch, UK/USA, 1999


Greyshirt: How Things Work Out, script by Alan Moore (UK) and art by Rick Veitch (USA), in: Tomorrow Stories #2, Wildstorm Productions, America’s Best Comics imprint, USA, November 1999. The Greyshirt character is a pastiche of Will Eisner‘s The Spirit.

“In one of the Greyshirt stories in Tomorrow Stories, we did something very peculiar with the panel layouts. We had an apartment building, the same building, upon ever page. There are four horizontal panels on each page. Then, to add another element, we made it so that the top panels are all taking place in 1999, the second panel down on each page is taking place in 1979, the panel beneath that takes place in 1959, and on the bottom panel of each page, you’re seeing the bottom of the building as it was in 1939, when it was a fairly new building. We’re able to tell, by some quite complicated story gymnastics, quite an interesting little story that is told over nearly sixty years of this building’s life, with characters getting older depending upon which panel and which time period they’re in. There’s something that you couldn’t do in any medium other than comics.Alan Moore (as cited on The Great Comic Book Heroes website), 2001.

Dear students, this story was later published in the collection Tomorrow Stories book 1 (soft cover) by DC Comics.

Copyright ©2004 DC Comics/Moore/Veitch

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