As my student Mudmee was looking for references of comics spread pages with panel inserts, here’s a collection of pages for future reference. My thanks to the members of the Facebook group Oubapo & Constrained Comics.
Undertaker vol. 06: Salvaje by Xavier Dorison and Ralph Meyer, Dargaud (FR), 2021. (Via Bruno Diogo)
As an assignment for the “Visual Media Studies” course (GenEd course offered by the Faculty of Communications Arts, Chulalongkorn University, Thailand), students from various faculties and departments (Architecture, Communication Design, Psychology, Engineering, Literature…) were asked to explore the concept of “windows on time in a single place” developed by American cartoonist Richard McGuire with his two stories titled “Here” (1989 in the pages of RAW, and 2014 as an extended graphic novel). The complete groundbreaking graphic narrative can be read on this post: “Here” by Richard McGuire.
Here are some of the results, tackling topics such as Thai political turmoil, adoption, Black Lives Matter, but also time travel, family ties and… cats. Many more results from the CommArts students are also posted on this page.
PS: click on the comics pages for higher resolution.
The graphic narratives produced by my Thai [and exchange] students were inventive and striking, as some explored not only the COVID-19 crisis but addressed social and political issues in a straightforward way, revealing Thailand’s traumatic decades made of military coups and bloody crackdowns. I guess the assignment came timely, capturing the frustrations of a new generation of young adults, revealing visually the overburduning and endless cycle of coups and sociopolitical struggles. With my students and with Richard McGuire’s approval, we decided to set the assignment as a challenge and invite everyone to take part, as we believe that in these times of self-isolation, it might be interesting to widen the limited and constrained space we now inhabit by exploring it through time.
“Like how does something happen, and… how does it reverberate through time? And that act of memory is important, and comics are great for memory. Like even when you have a short comic, like a three-panel comic, you’ve got a past, a present and a future as soon as you look at those three boxes. And that allows you to reflect and compare times.” (Art Spiegelman, in: Conan, N. (2011). MetaMaus: The Story Behind Spiegelman’s Classic; radio interview, Oct 5)
So here’s the layout that you are free to use [click on the image for larger version], and please add the hashtags #MeanwhileHereComics and/or #การ์ตูนที่นี่ (‘KatunTiNee’ which means “Here Comics” in Thai language) so that we can follow your artworks online.Thank you in advance for joining!
“Time, as cut into minute sausage slices and laid out on the [comics] page in an array from which larger connections and patterns may be sensed, is the cartoonist’s ‘paint’ or ‘clay.’ […] Trying to communicate the hugely incomprehensible yet indescriptibly fine texture of life in little reconstructions sort of mirrors the way we remember it… Really, when one come right down to it, in the end, that’s all we have: our memories!” (Chris Ware, in: Why I Love Comics. The New York Times , 2015)
OUR STUDENTS’ COMICS
#MeanwhileHereComics pages by students of the “Creative Writing Section 11 [Experimental and Fiction Comics Composition]” course. More will be added soon. In the captions below some pages, I’ve introduced links to some local/Thai events referred to in the graphic narratives. PS: I’m proud of my students’ hard and meaningful works. #ProudAjarn
As these “constrained comics” & concept are quite challenging, composition was achieved over a couple of weeks, and with the submission of several drafts commented by yours truly… via the Line app due to current COVID-19 crisis. If you want to spot the differences, and see how every minute detail [from color to fonts or encapsulation] matters in comics composition where “each element is thus: one with everything” (Nick Sousanis in: Unflattening, comics dissertation published by Harvard University Press, 2015).
“It was the first time I had had my mind blown. Sitting on that couch, I felt time extend infinitely backwards and forwards, with a sense of all the biggest of small moments in between. And it wasn’t just my mind: “Here” blew apart the confines of graphic narrative and expanded its universe in one incendiary flash, introducing a new dimension to visual narrative that radically departed from the traditional up-down and left-right reading of comic strips. And the structure was organic, nodding not only to the medium’s past but also hinting at its future.” Chris Ware, The Guardian, December 17, 2014 (see below for link to the article).
Dear students, the 2014 extended version ofHere is available @ Kinokuniya bookstores.
An interesting adaptation of the original six pages of McGuire’s Here into a short film (“about a series of events in time that happen in one point of space: the corner of a room in a normal house”). Student-produced at the RIT Dept. of Film & Video in 1991, by Tim Masick and Bill Trainor for their senior thesis project.
And an interesting GIF of Richard McGuire’s complete original version of Here.