FROM DUSK TILL DRAWN: Comics Art Studies and Graphic Narratives Composition, Workshops, Events & Zine Publishing @ Faculty of Communication Arts, Chulalongkorn University [Bangkok – THAILAND]
Cover of Lorina Mapa’s graphic memoir “Duran Duran, Imelda Marcos, and Me”.
Filipino Canadian cartoonistLorina Mapa, author of the graphic memoir Duran Duran, Imelda Marcos, and Me, was a guest at the Bangkok Edge Festival 2018, with the participation of the Embassy of Canada to Thailand. On Saturday 20, the artist gave an delightful and interesting public talk on her work, and held a comics workshop on Sunday 21. The Embassy of Canada to Thailand opened extra seats for my students (CommDe & CommArts, Chulalongkorn University) who wished to take part in the (fully booked) workshop (KhopKhunMakKhrap khun Noppawan!)
My warmest thanks to Lorina Mapa, the Bangkok Egde Festival, and the Embassy of Canada to Thailand!
Lorina Mapa’s public talk. Bangkok Edge Festival, January 20, 2018.
After Lorina Mapa’s talk on her graphic memoir, a Thai monk asked the artist a few questions. The first one was on how her drawn memories related to, and maybe enhanced, the vividness of her actual memories. An interesting question, as I sense more and more that the Buddhist notion of “sati” (“mindfulness”) and graphic memoirs might have a lot in common, being both “recollections in praesentia”… A question to further explore… Bangkok Edge Festival, January 20, 2018.
Mise en abyme. CommDe sophomore student Pin (foreground) reads Filipino Canadian cartoonist Lorina Mapa’s graphic memoir “Duran Duran, Imelda Marcos, and Me”. Meanwhile, Lorina Mapa (background) reads the comics zine Bang Bang You’re Deadgathering collaborative stories by CommArts Thai students and European cartoonists… Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; comics composition. Art by CommDe ajarn Oat Montien (foreground), and CommDe sophomore student Pin drawing (background). Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; comics composition. Art by CommDe sophomore student MedFai. Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; depicting emotions. From left to right; CommDe ajarn Oat Montien, Lorina Mapa (background), and CommDe sophomore students Pin and MedFai. Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; depicting emotions. Sketches by CommDe ajarn Oat Montien. Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; comics composition. CommDe sophomore students Pin (center) and MedFai (right). Bangkok Edge Festival, January 21, 2018.Lorina Mapa’s comics workshop; depicting emotions. Bangkok Edge Festival, January 21, 2018.
#UltraVioletChallenge: “Making Sense of Signs (and Fragments)” in-class creative assignment (“Intro Comm” & “Visual Media Studies” courses developed by the Faculty of Communication Arts; Semiotics chapter); create a figurative comics based on an imposed abstract comics (duration: 90′). Based on a constrained comics exercise used atPierre Feuille Ciseaux international comics residency-lab.
SEE MORE #ULTRAVIOLETCHALLENGE RESULTS HERE (PART 2) AND THERE (PART 3).
BLURB!
“Brilliant – thanks for sharing!” Nick Sousanis (January 16, 2018; commenting the page by Fern, Lukpearr, Oom & Bank), assistant professor of Humanities & Liberal Studies at San Francisco State University. He received his doctorate in education at Teachers College, Columbia University in 2014, where he wrote and drew his dissertation entirely in comic book form. Titled Unflattening, it argues for the importance of visual thinking in teaching and learning, and was published by Harvard University Press in 2015.
Students from the Faculties/Departments of Architecture (INDA), Communication Design (CommDe), Language & Culture (BALAC), and Engineering (ISE) creating their #UltraViolet comics. August 23, 2018. Visual Media Studies course, INDA, Chulalonglorn University.
SOME RESULTING NARRATIVES:
#UltraVioletChallenge final page by Fern, Lukpearr, Oom & Bank, fresh.wo.men students at CommDe, Chulalongkorn University.#UltraVioletChallenge final page by Arty, Pin & Darnis, junior students at CommDe, Chulalongkorn University.#UltraVioletChallenge final page by Pin, Fa & Pat, sophomore students at INDA, Chulalongkorn University.#UltraVioletChallenge final page by Gap & Yong, junior students at CommDe, Chulalongkorn University.#UltraVioletChallenge final page by Iced, Deedee, Fern & Jam, junior students at INDA, Chulalongkorn University.#UltraVioletChallenge final page by New, Uang and Wee, junior students at CommDe, Chulalongkorn University.Students from the Faculties/Departments of Architecture (INDA), Communication Design (CommDe), Language & Culture (BALAC), and Engineering (ISE) creating their #UltraViolet comics. August 23, 2018. Visual Media Studies course, INDA, Chulalonglorn University.
Faculty of Communication Arts (Chulalongkorn University) members welcomed by the School of Film, TV and Multimedia (Korean National University of Arts) at K’Arts, Seoul.It was a pleasure and honour to meet Professor Lee Jungmin, Course Director of the Department of Animation (and Comics/Manhwa) at the prestigious Korea National University of Arts (K’ARTS), during our Faculty Seminar. With a private tour of the Department, and a quick look at the students’ animation screenings! Thank you so much! 고맙습니다! Eager to meet you again soon! Aj. Nicolas
Screenings of animation projects by K’Arts students.
Screenings of animation projects by K’Arts students.
Screenings of animation projects by K’Arts students.
Screenings of animation projects by K’Arts students.
During our 5-day field trip in Tokyo with coordinator P’Pum and 17 students of the Faculty of Communication Arts (International Program, Chulalongkorn University), we were welcomed by the prestigious Gakushuin University (Tokyo, Japan) to hold a lecture on the History of Thai Comics.
The lecture at Gakushuin University (Tokyo) was titled “When Manga, Franco-Belgian and American Comics Collide; Or the Genesis of Thai Alternative Comics.” It focused on presenting why I consider that the composite style of Thai pioneering alternative cartoonist Suttichart Sarapaiwanich on the series “Joe the Sea-Cret agent” is concurrently at the crossroads of American, Japanese and Franco-Belgian comics traditions and yet a remarkable artistic expression of ‘Thainess’ (and of the globalized and eclectic modern Thai way-of-life in the aftermath of the Tom Yum Goong crisis).
Following Professor Natsume Fusanosuke-sensei to a beautiful building of the prestigious Gakushuin University, Tokyo.“Konban-wa. Gakushuin Daigaku no minasama, Fusanosuke Natsume-sensei, Shiina Yukari-san, soshite Kensuke Noda-san, konkai no event o kaisai site kudasari. Watashi, Pum-san to Thai no gakusei nittote, totemo kouei na koto desu. Arigato gozaimasu”. My heartfelt thanks again to Gakushuin University for the warm welcome, to Natsume-sensei for the invitation, to Yukari-san for translating my messy sentences, and to Yukari-san & Kensuke-san for the organization! It’s been a wonderful evening! And Arigato gozaimasu Watanabe Kanako-san for the text in Japanese! ありがとうございました! Photo by P’Pum.
Thai comics (Suttichart Sarapaiwanich & “JOE the SeaCret Agent”, 1998). Photo by Yanner Chen.
Presenting the work of highly influential Thai cartoonist Eakasit Thairaat. Photo by Note.So tired… Can’t understand Natsume-sensei questions anymore… Sumimasen!!! Photo by Note.Delicious buffet organized by Gakushuin University after the lecture for all our CommArts students and attending audience. And honor, again, to be invited, to meet and to discuss with Natsume-sensei! ありがとうございました! KANPAÏ! Photo by P’Pum.ありがとうございました! KANPAÏ!Deeply honored to meet and discuss with Ono Kosei-sensei, a leading authority in Manga, Comics and Film criticism! ありがとうございました
The round table “Female Voices in Comics Art: Sharing Perspectives from Thailand, Spain, Japan and the U.S.A.” was held on Friday, March 10, at the BACC (Bangkok Art and Culture Center) during the HeForShe Arts Week Bangkok (UN Women for Asia and the Pacific) in collaboration with the Embassy of Spain in Bangkok (Ministerio de Asuntos Exteriores y de Cooperación de España). It was a rich, meaningful and cheerful talk with an amazing panel composed of Thai artist Tunlaya Dunn, Thai-American artist Kathy MacLeod, Spanish artist Carla Berrocal (also curator of the PRESENTES exhibition, and my Thai colleague & Manga scholar Aj. Mashima Tojirakarn (PhD. candidate, University of Kyoto). I’ve been honoured to act as the moderator of this round table (thank you again Kathy for suggesting my name). The discussion focused on comics and women, and most interestingly, on gender equality in the industry, as well as on the rise of female voices in Thai Comics, and on the rich history of Spanish comics by female cartoonists (PRESENTES exhibition). I would like to extend my warmest thanks to HeForShe Arts Week Bangkok’s curators Alejandro Hita & David Fernández for the organization of this whole week, and specific event, as well as Embassy of Spain in Bangkok’s representatives Maria Salcedo Ortiz (Deputy Head of Mission) & Joan Vicens Mestre for their invaluable participation to the event, and partners Chulalongkorn University & BACC. Thank you Carla, Kathy, Tunlaya & Mashima for the great talk! ขอบคุณมากนะครับ Pathumporn Tik Thongking for the wonderful pics!
Aj. Nicolas Verstappen
The “Here Comes Trouble” Dream Team! From right to left: my Thai colleague & Manga scholar Aj. Mashima Tojirakarn (PhD. candidate, University of Kyoto), Thai designer and cartoonist Tunlaya Dunn,Thai-American illustrator and cartoonist Kathy MacLeod, Spanish cartoonist and illustrator Carla Berrocal, HeForShe Arts Week BKK’s co-curator Alejandro Hita (UN Women), Deputy Head of Mission at the Embassy of Spain in Bangkok Maria Salcedo Ortis, and yours truly. Photo credits: UN Women/Pathumporn Tik ThongkingPresenting the guests of the “Female Voices in Comics Art” round table; Carla Berrocal, Kathy MacLeod, Tunlaya Dunn & Mashima Tojirakarn. Photo credits: UN Women/Pathumporn Tik ThongkingIllustrator and cartoonist Kathy MacLeod discussing with the other guests of the “Female Voices in Comics Art” round table; Carla Berrocal, Tunlaya Dunn & Mashima Tojirakarn. Photo credits: UN Women/Pathumporn Tik ThongkingWomen voices in the comics industry around the world. Thai female cartoonists Tongkarn, Vic-Mon & Chingching Krittiemmek confronting “Seng” Songwit Seakitikul (in his graphic novel “Almost All of Us”, Fullstop Books, and ขอบคุณมากนะครับ Birdme for the translation) in Thailand; the “Collectif des créatrices de bande dessinée contre le sexisme” (Female Comics Creators Against Sexism) in France and abroad; and “Autoras de Cómic” in Spain. Photo credits: UN Women/Pathumporn Tik ThongkingMy Thai colleague & Manga scholar Aj. Mashima Tojirakarn (University of Kyoto) discussing with the other guests of the “Female Voices in Comics Art” round table; Carla Berrocal, Tunlaya Dunn & Kathy MacLeod. Photo credits: UN Women/Pathumporn Tik ThongkingRich, meaningful and cheerful talk withthe guests of the “Female Voices in Comics Art” round table; Carla Berrocal (talking), Kathy MacLeod, Tunlaya Dunn & Mashima Tojirakarn. Photo credits: UN Women/Pathumporn Tik ThongkingAs a conclusion of the “Female Voices in Comics Art” round table, the presentation of a remarkable short comics (related to the topic of “violence against women”) composed for my course by Ms. Arty Nicharee (Entryh), a promising first-year student of the International Program in Communication Design (Department of Industrial Design, Faculty of Architecture, Chulalongkorn University). Photo credits: UN Women/Pathumporn Tik ThongkingAs a conclusion of the “Female Voices in Comics Art” round table, the presentation of a remarkable short comics (related to the topic of “violence against women”) composed for my course by Ms. Arty Nicharee (Entryh), a promising first-year student of the International Program in Communication Design (Department of Industrial Design, Faculty of Architecture, Chulalongkorn University). Photo credits: UN Women/Pathumporn Tik Thongking
“Zig et Puce” by Alain Saint-Ogan (FR), and “Tintin” by Hergé (BE)
“Jerry Spring” by Jijé (BE) & Lob (FR), and “Lucky Luke” by Morris (BE) & René Goscinny (FR)
Some Franco-Belgian classic comics acquired at La Crypte Tonique (Brussels) to illustrate -materially- the two courses dedicated to the History of Franco-Belgian “bandes dessinées” at Chulalongkorn University, Bangkok. PS: Merci Philippe Capart!
Cover of “Moustique” weekly magazine #1481 (Dupuis, BE, June 13, 1954).Page from “Blanc Casque'” by Jijé (BE, goo.gl/P3l4wh) as published in “Moustique” weekly magazine #1481 (Dupuis, BE, June 13, 1954). Based on the novel by Joseph Pirot.Page from “Lucky Luke et Phil Defer ‘Le Faucheux'” by Morris (BE) as published in “Moustique” weekly magazine #1481 (Dupuis, BE, June 13, 1954). Comics available in English language: goo.gl/o186fVLast tier of a page from “Lucky Luke et Phil Defer ‘Le Faucheux'” by Morris (BE) as published in “Moustique” weekly magazine #1481 (Dupuis, BE, June 13, 1954). Comics available in English language: goo.gl/o186fVCover of the English edition of “Lucky Luke contre Phil Defer” (Morris, BE): goo.gl/o186fV“Spirou” (goo.gl/wf4C73) voucher (to be collected every week in order to be redeemed for a board game) as published in “Moustique” weekly magazine #1481 (Dupuis, BE, June 13, 1954).
“Zig et Puce” by Alain Saint-Ogan (FR), and “Tintin” by Hergé (BE)
“Jerry Spring” by Jijé (BE) & Lob (FR), and “Lucky Luke” by Morris (BE) & René Goscinny (FR)
Some Franco-Belgian classic comics acquired at La Crypte Tonique (Brussels) to illustrate -materially- the two courses dedicated to the History of Franco-Belgian “bandes dessinées” at Chulalongkorn University, Bangkok. PS: Merci Philippe Capart!
Front cover of “Cadet-revue”, May 15, 1939, France. “Saint Francis of Assisi – Animals, my brothers”; one of my favourite illustrations by French cartoonist and illustrator Alain Saint-Ogan (goo.gl/dKom7j).Back cover of “Cadet-revue”, May 15, 1939, France. One of my favourite pages by French cartoonist and illustrator Alain Saint-Ogan (goo.gl/dKom7j): “Monsieur Poche: un animal étrange.” First printed in “Dimanche illustré” #623, February 3, 1935, France.Original artwork of the page “Monsieur Poche: un animal étrange” first published in “Dimanche illustré” #623, February 3, 1935, France. Analysis by Thierry Groensteen: goo.gl/kamg93. In the collection of the Museum of the Cité Internationale de la Bande Dessinée et de l’Image, Angoulême, France.
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